a trowel probes
the stones of the lost city—
and then the sun
Something Freudian about it, this digging up the past. As I watch the excavator at his work I am reminded that archaeologist and psychologist were both careers I was attracted to in my youth. This man painstakingly sweeping a small amount of dust with a very small paint brush is probably my age. Has he done this all his life?
digging in the sun
the archaeologist
peels layers of skin
the archaeologist
peels layers of skin
I realise that I’ve lost the urge to conserve and record. I no longer even keep a journal – perhaps I’m too busy. History is for the young. Maybe the past can only be taken on by those having a sense of new beginning? When history has slowly absorbed you into itself the sheer weight of the past can only be stultifying.
pinned to the earth face
the neat hand-writing of the
archaeologist
the neat hand-writing of the
archaeologist
He pauses to take a photograph. Then he unpacks a sketch pad and pencils. This I can relate to: this fixing of his find in the momentary circumstances of the day; the particular configuration; the tones and shadows. This, if anything, is what I’ll take away, this concrete image of a place and time. The sheer beauty of it, held in the singular changing light. A fleeting impression broken now by a few sudden heat-spots.
he draws the ruin
of two thousand years—
rain on his sketch
of two thousand years—
rain on his sketch
I savour the scent of the warm droplets on dust, embrace the present and move on.
by Graham High
Blackheath, West Midlands, England
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